So, The Milk Of Human Kindness has that trademark technicolour wonderland sound to it that Up In Flames had, a warm rush of current pulling you out to sea. Using (perfectly) imperfect warm production and recording, everything has a slightly fuzzy edge, from the keyboard notes to the drumming to Snaith’s voice, and we have another summer album on our hands. There is a slight scaling back of the elation that is found on Up In Flames, but an almost as enjoyable calmness threads through The Milk Of Human Kindness. There are deviations, or rather expansions, that are followed. Sometimes structure takes a back seat, a melody that you can’t quite neatly describe flows outwards towards the horizon, with the underpinning pops, percussion taps and note tinkles almost becoming inconsequential in scale as the track stretches on. I would be lying if I said my attention didn’t sometimes waver during these parts, but I found it was as much a matter of finding the right situation and time to experience the album and connect with it’s style as anything. We find shorter tracks here as well that act as tension releasers, hip-hop informed percussion pulling you through by your t-shirt to the next part of the album, or clearly focused under a minute tonal songs which also have a similar effect. I suppose it’s unsurprising that Kieran Hebden (Four Tet) is good friends with Snaith, there are definite similarities in style, and I was definitely struck during one of those instrumental hip-hop styled tracks by that similarity, it sounded kinda like ‘As Serious As Your Life’ off of Four Tet’s Rounds. I will really enjoy spinning this album during the summer, and maybe I’ll be adding Caribou’s next album, 2007’s Andorra, to The Album-A-Week Project before the summer’s out.
Wednesday, May 14, 2008
2: Caribou - The Milk Of Human Kindness
So, The Milk Of Human Kindness has that trademark technicolour wonderland sound to it that Up In Flames had, a warm rush of current pulling you out to sea. Using (perfectly) imperfect warm production and recording, everything has a slightly fuzzy edge, from the keyboard notes to the drumming to Snaith’s voice, and we have another summer album on our hands. There is a slight scaling back of the elation that is found on Up In Flames, but an almost as enjoyable calmness threads through The Milk Of Human Kindness. There are deviations, or rather expansions, that are followed. Sometimes structure takes a back seat, a melody that you can’t quite neatly describe flows outwards towards the horizon, with the underpinning pops, percussion taps and note tinkles almost becoming inconsequential in scale as the track stretches on. I would be lying if I said my attention didn’t sometimes waver during these parts, but I found it was as much a matter of finding the right situation and time to experience the album and connect with it’s style as anything. We find shorter tracks here as well that act as tension releasers, hip-hop informed percussion pulling you through by your t-shirt to the next part of the album, or clearly focused under a minute tonal songs which also have a similar effect. I suppose it’s unsurprising that Kieran Hebden (Four Tet) is good friends with Snaith, there are definite similarities in style, and I was definitely struck during one of those instrumental hip-hop styled tracks by that similarity, it sounded kinda like ‘As Serious As Your Life’ off of Four Tet’s Rounds. I will really enjoy spinning this album during the summer, and maybe I’ll be adding Caribou’s next album, 2007’s Andorra, to The Album-A-Week Project before the summer’s out.
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